Before conquering the airwaves with made-for-stadium anthems and bombastic rhapsodies, Queen was a vicious, take-no-prisoners rock ‘n’ roll band. At least that’s what Live at the Rainbow ‘74 brilliantly affirms. Sure, there are glimmers here (“Killer Queen,” for instance) of the sort of kitsch and musical frivolity that would increasingly characterize Queen’s output in the years to follow, but this gig is more punk than pomp.
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While Mercury was for the most part the focal point on the stage, however, it’s worth noting that each member of the band wrote songs. It's a crucial reason that Queen's catalog as a whole is so eclectic. Even in this performance, early as it is in the band’s career, such diversity is evident, from “Seven Seas of Rhye” with its brazen grandiosity, to “Son and Daughter,” anchored as it is by a grimy riff that would’ve served Black Sabbath well in the same era. This performance (half of a celebrated two-night stand) captures Queen’s emergence into immortality as a band with muscle and snarl to spare.
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