An assiduous songwriter, Rodney Crowell is one of that diminishing breed of artists who pay allegiance more to their craft than to any particular genre or style. Artists ranging from Keith Urban (“Making Memories of Us”), Emmylou Harris (“Even Cowgirls Get the Blues”), and Bob Seger (“Shame On the Moon”) have covered his works, underscoring his versatile skill.
On his latest album, Sex and Gasoline, Crowell adeptly threads themes of intimacy, mortality, politics, religion, and women into a cohesive, mature narrative. Blustery acoustics and sparse arrangements suit his pensive vocals, rendering this seasoned troubadour as if delivering a soliloquy while ominous music swirls in the shadows.
On his latest album, Sex and Gasoline, Crowell adeptly threads themes of intimacy, mortality, politics, religion, and women into a cohesive, mature narrative. Blustery acoustics and sparse arrangements suit his pensive vocals, rendering this seasoned troubadour as if delivering a soliloquy while ominous music swirls in the shadows.
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